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Their dramatisation in the film shows Chopra’s skill with film and music, perhaps the finest example being ‘Tere Liye’/‘For You’, about being willing to sacrifice for love, and ‘Dekh Lo’/‘Look’, another song about how love can overcome difficulties.
This romcom was much loved for superstar Kareena Kapoor’s depiction of a stereotypically feisty Punjabi girl, Geet Dhillon, who meets Aditya (Shahid Kapoor) on a train and forcefully persuades him to come to meet her family.
Bombay is one of three political romances by Ratnam – the others being Roja (1992) and Dil Se (1998) – which explore love in troubled times.
When Shekhar (Arvind Swamy), from an orthodox Hindu family, and Shaila Banu (Manisha Koirala), a Muslim, fall in love, they face hostility from both families.
Many romantic films end with the promise of happily ever after, but the key romantic moments are often those of sorrow and sadness.
Love imagined, or love lost, makes the film more emotional.
The songs of sorrow (‘dard bhare geet’) produce longing that was celebrated in Indian aesthetic theory as ‘vipralambha shringara’ – love in separation. It is no coincidence that Shah Rukh Khan, the biggest romantic hero of the last 20 years, weeps beautifully and often.
For academics, the term Bollywood is limited to describing the mainstream Hindi film from the mid-1990s, to encompass changes in style and media contexts.
Their romance forms the first half of this film, but it is the second romance that is the truly moving one: Nandini has an arranged marriage to Vanraj (Ajay Devgan), who fell in love with her when he saw her singing ‘Nimbuda’/‘Lemon’.Kajol and Shah Rukh Khan as Simran and Raj became one of the best-loved screen couples of all time.They fall in love on a European rail holiday, but when they return to London, the most romantic moment occurs when Simran invites Raj to come to her arranged wedding and he refuses.In the second half of the film, the plot has to find a resolution, taking the film to the full three hours.There should be five to eight songs to mark nodes in the narrative, such as meeting, falling in love, union, separation and so on.
He follows her to Punjab to win over her family and persuade them to accept him as her husband.